The queen's love of entertainment is symbolized by the presence of 14-year-old Sir Jeffrey Hudson and Pug the monkey, both royal favorites. Today. was created by art dealer and historian Philip Mould, together with producer Simon Shaw. [3], Following the programme, the restored portrait went on display in the Banqueting House, Whitehall, where Henrietta once lived.[3][7]. Bequest of Mrs. Charles Wrightsman in honor of Annette de la Renta, 2019, Recent Acquisitions: A Selection, 20182020: Part I: Antiquity to the Late Eighteenth Century: The Metropolitan Museum of Art Bulletin, v.78, no. Portrait of Henrietta Maria (1609-1669), Queen of England, consort of Charles I . Flemish, 1599 - 1641. Files are available under licenses specified on their description page. It was described by Christie's merely as "Flemish School, 17th century, portrait of a young girl with a fan", discounting its own record that it was once attributed to Van Dyck. Roman letter, little Italic; engraved title with putti and Jesuit monogram and two detailed plates, all by Philip Sadeler, one decorative tail-piece including Christ s face; very lightly dust-soiled. Episode 5 are 7 day figures from the old system. These are sensitively executed. Mould's research identified it as the head of St Joseph for a lost painting of the holy family, known from a version by the master and his studio assistants in the Manchester Museum. A symbol of purity, chastity, and generosity, the orange tree was also associated with the Virgin Mary, Henrietta Maria's patron saint. Days later, his restorer removed dirt and varnish, revealing subtler brush strokes and colours, especially around the eyes. For this, we should be thankful. Amongst the more niche offerings of BBC Four, I stumbled upon a programme hosted by Bendor Grosvenor the acclaimed hunter-outer of sleepers (misattributed masterpieces). Charles I not only commissioned Van Dyck to paint portraits for his own collection but also as gifts for loyal courtiers, ambassadors, and foreign rulers. The 4th and 7th Street entrances are exit-only. Philip Mould Ltd. [43], Saint Amelia, Queen of Hungary by Delaroche, The sixth series started on 20 August 2017. Van Dyck was born in Antwerp in 1599. However, the team learn that British artist Sidney John Woods was the original owner of a genuine 'Gazing Head' plaster. Search by Sitter. Historical Portraits Picture Library. Save 20-60% with unbeatable sales every day. The third, dismissed as a 19th-century copy, had been relegated to a storeroom of the Bowes Museum in Co Durham. He raises his left arm, closer to the woman, to hold a monkey on a tether. Conservation confirmed his suspicions. This had been sold at Christie's on 24 January 2012. Instead, Caroline's son, George Damer, became the next owner of the painting. During the Civil War, Henrietta Maria moved to France for safety, and it was from here, in 1649 that she heard of her husband's execution. 88. The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. Less visibly, infra-red reflectograms have revealed overpainted details in Jan Van Eycks famous Arnolfini marriage portrait, including the mans feet having been underdrawn in different positions and both sitters heads having been originally higher on the canvas. We are all Climate Deniers: What if we werent? Only a few years later he was working as the chief assistant to the great Flemish painter Peter Paul Rubens. Philip Mould explains to Fiona Bruce his plan to reveal a lost painting by Van Dyck. is a BBC One documentary television series which examines the provenance and attribution of notable artworks. [1] The early provenance for the painting as published in the Gallery's 2005 systematic catalogue, Flemish Paintings of the Seventeenth Century, by Arthur K. Wheelock, Jr., incorrectly traced the ownership from Richard Newport, 2nd earl of Bradford (1644-1723) through his heirs. returns July 2021", "Fake or Fortune? It had suffered from clouded varnish and some botched restoration, but the dealer was struck by the sophisticated drapery, colouring and facial expression all typical of Van Dyck's female portraits of the 1630s, the artist's period in England. 41 69 1/4 in. Pinterest. The bodice and full skirt of her blue dress are trimmed with bands of gold along the hems, down the sleeves, and down the front of the skirt. [3][4] Philip Mould owned a portrait of Queen Henrietta Maria in a blue dress. The paint surface shows evidence of slight wear, notably in the darker pigments. Even though the portrait shows a tall woman with an oval face, pointed chin, and long nose, the queen was reportedly petite, with a round head and delicate features. Sir Anthony Van Dyck, Studio of . in Britain found a portrait of Queen Henrietta Maria (1609 - 1669) painted by Anthony van Dyck. It had a saleroom estimate of 13,200-17,600. Buy "Anthony van Dyck - Portrait of Queen Henrietta Maria, as St Catherine (c.1649) in Philip Mould collection" by brand1st as a Art Print Make 2023 the year to let that wonderful you-ness shine. In her dowager years back in France in the late 1660s, she spent much of her time at her country retreat of Chteau de Colombes, seven miles north-west of Paris, which was decorated with numerous family portraits, moderne masters, such as paintings by Anthony van Dyck, Guido Reni, and Orazio Gentileschi, and many examples of Italian renaissance art, including works attributed to Titian, Tintoretto, and Correggio, which demonstrates her abiding affinity with her husbands collecting tastes. An X-ray suggested that Mould's portrait contained a smaller original which . When they saw the photograph, Mould and his colleague Bendor Grosvenor were "90% sure" it was by Van Dyck. In France, the team discover that the painting is of the Fountain of Saint-Paul in Saint-Paul-de-Vence. Portrait of Queen Henrietta Maria, as St Catherine is a painting by Sir Anthony van Dyck. overall: 219.1 134.8 cm, 155 lb. - BBC One", "Mystery of Sir Winston Churchill's paintings finally solved", "Munnings and Churchill, Series 4, Fake or Fortune? "[73], Benji Wilson, writing for The Daily Telegraph, described the programme, then in its ninth series, as "the art world's answer to Line of Duty". The Medici crest contains five gold balls, thought to represent oranges from the family's renowned citrus tree collection. painting uncovered Mystery of Sir Winston Churchill's paintings finally solved", "Weekly Top 30 Programmes (see relevant week(s))", "Fake or Fortune? However, according to John Walker, Self-Portrait with Donors: Confessions of an Art Collector, Boston and Toronto, 1974: 222, it was sold for $124,998. They also tracked down previous owners, including John Smith, a noted 19th-century connoisseur-dealer, who had detailed the picture, down to the colour of the dress, and noted its sale by Christie's in 1835 for 169 guineas. Portrait of Henrietta Maria, three-quarter length, wearing a blue dress and holding flowers in her left hand, her right arm resting on a table on which lies a crown. We continue to research and examine historical and cultural context for objects in The Met collection. He explained a friend had suggested it might be by the Italian surrealist Giorgio de Chirico, and that he had submitted it at the time to the de Chirico foundation in Rome but had had it rejected. What lies beneath. This image is in the public domain. is a BBC One documentary television series which examines the provenance and attribution of notable artworks. As a devout French Catholic in a self-consciously Protestant English court, the Queens first years in England were not happy ones, and the unprecedented union of a Catholic Princess with the heir to a Protestant throne was greeted with considerable trepidation on both sides of the Channel. Van Dyck was one of the best portraitists in the history of art. 1sts Queen, by Vandyck.". [5] By terms of the Countess of Mountrath's will, the contents of her house in Grosvenor Square, London, were left first to Caroline, Lady Milton, and after Caroline's death were to be divided among Caroline's children. This evidence is then presented to established authorities to help demonstrate the legitimacy of the work and its possible addition to the relevant catalogue raisonn. (104 176 cm) Archbishop's Castle and Gardens, Krom. It was estimated at 4,000 - 6,000 but realised 8,750 (including buyer's premium). The following correction was printed in the Observer's For the record column, Sunday 19 June 2011. ), Sir Anthony van Dyck 20002023 The Metropolitan Museum of Art. Titian, Jupiter and Antiope (The Pardo Venus), 153540, reworked c. 1560, oil on canvas, 196 x 385 cm (Muse du Louvre). Many people take the art world to be resolute and unfailingly knowledgable and, with the works of a select number of master painters, this is certainly true. Few artists were then capable of such a subtle characterisation and perhaps the best was Van Dyck.". Oil painting on canvas, Queen Henrietta Maria (1609-1669) and Sir Jeffrey Hudson (1619-1682) (after Van Dyck) by Charles Jervas (Dublin 1675 - London 1739). The images of the lot form part of the condition report for the lot. Caesar on his Chariot, c.148492, tempera on canvas, 270.4 x 280.7 x 4 cm (Royal Collection Trust, Hampton Court Palace, London), The consequence of the visit was that Charles set his heart on a comparable collection of art for his own court when king. He owned, for example, Titians stunning, Titian, Ecce Homo, 1543, oil on canvas, 242 cm x 361 cm (Kunsthistoriches Museum, Vienna). Sep 29, 2019 - Henrietta Maria by Van Dyck studio (Philip Mould). Its muted colours suggested it was not painted using oil. There were four episodes in the first series, which started on 19 June 2011: The first episode of the second series was shown in the UK on 16 September 2012. Fake or Fortune? 7th St and Constitution Ave NW He was knighted that same year. There are numerous copies of the portrait, one of which was sold at Bonhams for 9,000 in October 2004. The team does not always succeed. 148); principe Tommaso Corsini, Florence (193468); [Colnaghi, London, 196869; sold to Wrightsman]; Mr. and Mrs. Charles Wrightsman, New York (1969his d. 1986); Mrs. Charles Wrightsman, New York (1986d. 16, p. 414 (copies in NGA curatorial files). Instead, here, Charles feasted his hungry eyes on many works by European masters, including Titian (who had been court painter to the imperial Habsburg court in the sixteenth century), Correggio, Andrea Mantegna, The Triumphs of Caesar: 9. 6th St and Constitution Ave NW However, recognising similar shapes and colours from a known lost original, x-ray scans revealed a smaller, over-painted original head study by Van Dyck which was subsequently revealed through painstaking restoration and conclusively attributed to Van Dyck himself. Henrieta, Henri", spent mo Many comparables of his brushstrokes hanging there too." 7, painting number 79 King Charles 1sts Queen, by Vandyke." [68] In The Daily Telegraph, Ceri Radford was described as being "flabbergasted" at the result of the first episode, but concluded her review by saying: "This may have been a disappointing finale, but it at least confirmed that this aesthetically pleasing, quietly enjoyable new series isn't afraid to thwart expectations. Charles purchased the bulk of it a colossal cost (it took him two years to pay what he owed). While this opened up a potential path from Italy to Britain, there was no evidence. 2 Born in 1609 as the youngest daughter of Henri IV of France and Marie de Medici, Henrietta Maria was proposed as a suitable candidate for a match with the future Charles I from Philip Mould owned a portrait of Queen Henrietta Maria in a blue dress. In Van Dycks portrait, the pregnant queen of England cradles her arms over her abdomen while standing next to a crown that advertises her rank. [7] See the letter of 10 March 1927 confirming receipt of payment for seven of the Northbrook paintings, including Queen Henrietta Maria, Sir Jeffrey Hudson and a Monkey, in the Duveen Brothers Records (box 269, folder 16, reel 124; accession number 960015, Research Library, The Getty Research Institute, Los Angeles; copy in NGA curatorial files, kindly supplied by Patricia Teter). [6] The provenance of the painting from its presence at Milton Abbey to Duveen Brothers is according to Arthur K. Wheelock, Jr., Susan J. Barnes, et al., Anthony van Dyck, exh. ", Although he acknowledged that auctioneers do not have the benefit of cleaning and restoring works, which help to reveal true quality, he added: "As art dealers, we scour daily the world's auction catalogues for paintings that are wrongly identified In any week, our finds might range from a misidentified Tudor icon to a misattributed 18th-century landscape but by a strange chance we seem to have hit a seam of Van Dycks.". All structured data from the file namespace is available under the. The inventories cited below are in the collection of the Weston Park Foundation, near Shifnal, in Shropshire, England. London. John Ashburnham, 2nd Earl of Ashburnham (1724-1812), Ashburnham Place, Sussex (listed in his 1760 Catalogue recording the purchases from 1754-1786); 'Ashburnham Place, Sussex: A seat of the Earl of Ashburnham', in, https://collection.sdmart.org/objects-1/info/1025, https://www.sammlung.pinakothek.de/en/artwork/2mxqZXkL8b/. J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey, Mark A. Kishlansky and John Morrill, Charles I (16001649),, Desmond Shawe-Taylor and Per Rumberg (eds. In stark contrast to Buckingham, there was the figure of the austere and high-minded Thomas Howard, 14th earl of Arundel, who did much to foster Charless enthusiasm for and taste in Italian art, though at a distance. From Italy to Britain, there was no evidence [ 4 ] Philip Mould owned a of... 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